My artistic practice explores the core elements of photography, focusing on the relationship between light and movement through in-camera techniques.

In the "experiMental" series, I create non-representational images that highlight the camera’s ability to capture light and motion as visual subjects, so that the photograph becomes an object with its own visual logic, not merely a window onto the world.
 

Earlier in my practice, I worked with representational imagery, using intentional movement to blur and distort recognizable subjects. Over time, I became increasingly interested in using in-camera techniques to create non-representational shapes and forms, with light and motion as the primary subjects. Throughout this process, I deliberately avoid excessive digital alteration.
 

In parallel, the "docuMental" series engages with traditional photographic genres, such as street, abstract, still life, and documentary, reinterpreted through my personal lens.
 

Overall, my work examines how the camera can transcend its documentary origins, becoming a tool for experimentation, the creation of new aesthetic objects, as well as perceptual exploration.